"Léa ou la théorie des systèmes complexes" premieres in Limoges
In its 40 years of existence, the Festival les Zébrures d’automne in Limoges included a Luxembourg production in its programme for the first time.
On 21 and 22 September, the play Léa ou la théorie des systèmes complexes by Ian De Toffoli, directed by Renelde Pierlot, was previewed.
This new co-production between the Théâtres de la Ville de Luxembourg and Les Francophonies – Des écritures à la scène is the fruit of a collaboration that began in 2022 with a writing residency by Ian De Toffoli at the Maison des auteurs.rices des Francophonies.
It’s an extraordinary collaboration that has enabled Luxembourg to finally join this festival celebrating the French-speaking world with artists from all over the world in theatre, dance and music, and which was widely praised by Festival director Hassane Kassi Kouyaté at the Festival’s inauguration. Initial feedback is already very promising:
“(…) the audacity paid off. There was no mistaking the signs, with a standing audience, generous applause and a young audience pumped up with enthusiasm. The venue, with the encouraging name of Jean-Gagnant, may have brought good luck, but this success is above all to the credit of a close-knit team.” – Gregory Cimatti, Le Quotidien
“The play, finely researched and written by Luxembourg playwright Ian De Toffoli, tells two moving stories in parallel: a family saga built on oil and the violent realisation of a young woman confronted with the climate crisis. In a democracy, faced with an ecological emergency, does the use of violence become legitimate to save the planet?” – Siegfried Forster, RFI
“Ian De Toffoli’s writing is sharp and lively. It gives this contemporary fairytale the air of a tragic comedy. Although the drama underlies and the global ecological crisis serves as a backdrop, the author uses black humour to disarm the sceptics, hit the nail on the head and awaken the slumbering consciences of citizens who would like to do the right thing without having to sacrifice their comfort. Renelde Pierlot, a long-time collaborator of the playwright, takes this text and injects it with ingenuity and a jazzy atmosphere, giving it the air of a cartoonish musical fresco. Carried by a troupe of explosive, twirling actors who move easily from one story to another simply by donning fluorescent jackets, Léa et la théorie des systèmes complexes opens this anniversary edition of Les Francophonies in style. Despite the rain in Limoges, it’s a great show!” Olivier Frégaville-Gratian d’Amore – L’Œil d’Olivier
Luxembourg audiences can look forward to discovering this fine work at the Théâtre des Capucins on 10, 11, 15, 18, 21 and 22 October.