The Luxembourg Pavilion at the 60th International Art Exhibition – La Biennale di Venezia was inaugurated on 18 April 2024 in the presence of H.R.H. the Crown Prince and H.R.H. the Crown Princess, Mr Eric Thill, Minister of Culture, H.E. Mrs Michèle Pranchère-Tomassini, Ambassador of Luxembourg in Rome and more than 400 Luxembourg and international guests.
The project A Comparative Dialogue Act by the Luxembourg artist Andrea Mancini, the multidisciplinary collective Every Island and curated by Joel Valabrega (Mudam Luxembourg) was conceived as an infrastructure for the transmission of sound – a shared production space that challenges the entrenched notion of individual artistic authorship.
In his speech, the Minister said he was particularly proud to inaugurate a Pavilion that embodies values such as collaboration, dialogue and openness, entrusted to a brilliant generation of artists, curators and performers from Luxembourg and other nations.
By inviting artists from France, Turkey, Spain and Sweden, the artistic and curatorial team is developing an approach that fits perfectly with the theme of the Biennial’s international exhibition “Foreigners Everywhere”, curated by Adriano Pedrosa.
Performing for the opening days was artist Selin Davasse, following her residency which began on 8 April.
For the second consecutive year, Kultur | lx has curated the Luxembourg Pavilion, working hand in hand with Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean and Joel Valabrega, in charge of organising the exhibition.
“This year, after a meticulous selection process by a national and international jury, Luxembourg is once again innovating by inviting a collective to express itself as part of the artistic competition that is the Venice Biennale. I’m really looking forward to discovering the sonic, sensual and performative atmosphere of the work of Andrea Mancini and Every Island, their collaborators and our curator Joel Valabrega. They form a team, with 4 guest artists from 4 different countries. For this singular project, the creative process is as important as the result. It’s a wonderful experience in these times of division and polarisation.” commented Bettina Steinbrügge, Director of Mudam Luxembourg.
The 60th International Art Exhibition – La Biennale di Venezia takes place from 20 April to 24 November. The Luxembourg Pavilion can be found at the Arsenale (Sale d’Armi, 1st floor). More information here.
A Comparative Dialogue Act, a project by the Luxembourgish artist Andrea Mancini and the multidisciplinary collective Every Island will represent the Luxembourg Pavilion at the 60th Venice Biennale.
The project of the Luxembourg pavilion challenges the entrenched notion of individual artistic authorship by presenting a collection of works where artists relinquish ego in favour of a profound exploration of collective creativity through the medium of sound.
A Comparative Dialogue Act uses sound as a tool to explore different perspectives on identity and artistic research. An unprecedented collaboration by four emerging artists from diverse backgrounds, it brings together Spanish musician and performer Bella Báguena, French transdisciplinary artist Célin Jiang, Ankara-born performance Artist Selin Davasse and Swedish artist Stina Fors to offer four intersecting approaches to the multiple ways identity, performance and sound can meet. Navigating the realms of gender identity, Báguena weaves sounds inspired by intuition, motivation and a tableau of influences from pop culture to personal experiences. Jiang adopts a decolonial cyberfeminist approach, intertwining arts, technologies and digital humanities to provoke contemplation of identity within the context of transcultural aesthetics. Repurposing literary and performative techniques, Davasse embodies various feminine beasts with distinct syntactical, vocal and gestural characteristics to intimately traverse a speculative ethics of hospitality. And finally, Fors uses choreography, performance, drumming and vocals to explore the depths of a ‘sounding body’, unleashing a powerful voice that alternates between lethal force and seductive allure and showcasing the complexities of the self. A Comparative Dialogue Act offers a rich composition of singular voices brought together in a blurred sound artwork that pushes the boundaries of contemporary art production.
This exhibition investigates the transformative potential of sound as a medium for cultivating connection and understanding. It aims to transcend the limits set by singular perspectives of what sound can lend to the acts of interpreting, distorting and appropriating.
Performing artists
Selin Davasse
Residency: April 08–21
Selin Davasse (b. 1992, Ankara) lives and works in Berlin. Her performances repurpose disparate literary and performative techniques to enact and enforce a speculative ethics of hospitality between a bestial feminine stranger and a heterogeneous public. Embodying various narrative selves with distinct syntactical, vocal and gestural characteristics, she transmutes systems of thought into intimate and playful utterances oscillating between speech and song, in a permeable and unpredictable relationship to the viewer. Recent presentation settings include steirischer herbst, Graz (2023); Institute for Contemporary Arts, London (2023); Hangar Bicocca, Milan (2023); Art Encounters Biennial, Timișoara (2023); Kunsthalle Bratislava (2022); Wiener Festwochen, Vienna (2022); BJCEM – Biennale des Jeunes Créateurs de l’Europe et de la Méditerranée, Procida (2022); School of Waters, MEDITERRANEA19 Young Artists Biennale, San Marino (2021); Volksbühne, Berlin (2021); KW Institute for Contemporary Art, Berlin, (2021).
Instagram: @radicalized_faghag
Célin Jiang
Residency: June 24–30
Célin Jiang is a French artist-researcher. Her work is transdisciplinary, political, and infiltrated: it aims to explore the relationship between art, technology, and digital humanities. The decolonial approach of her work is rooted in cyberfeminism. By questioning our perception of identities in a globalised context of transcultural aesthetics, Célin Jiang advocates interoperability and considers hybridisation as a sensitive vector of metamorphosis: how does the dissident potential of artistic expressions operate in the phygital era of social networks? Célin’s works have recently been shown at Cité Internationale des Arts, Paris (2023); Bourse de commerce | Pinault Collection, Paris (2023); Fondation Pernod Ricard, Paris (2023); Biennale Internazionale Donna, Trieste (2023); Château de Montjuïc, Barcelona (2023); Villa Arson, Nice (2023); VSRL, New York (2023) and Fondation Fiminco, Romainville (2022).
Instagram: @bis0u.magiqu3
Stina Fors
Residency: July 18–28
With a taste for the absurd and strange, Stina Fors (b. 1989, SE), a choreographer and performance artist, crafts unpredictable, once-in-a-lifetime performances. As a self-taught drummer and shocking vocalist, Fors tours with her one-woman-punk-band, Stina Force, claiming no two performances are ever the same. Extended ventriloquism and screams can be witnessed in her recent work, “A Mouthful of Tongues” – a magic show where the voice seems detached from the performer’s body. Fors’s work is filled with tension, wit, and raw power. She also teaches how to access extreme voices. Stina studied choreography at SNDO in Amsterdam, currently in Vienna, Austria. Her recent appearances include CA2M Móstoles (2023), Centrale Fies Dro (2023), MDT Stockholm (2023), Nobody’s Indiscipline Milano (2023), Secuencia#2/Fabra i Coats Barcelona (2023), Steinsland & Berliner Stockholm (2023), TQW Vienna (2023) Wiener Festwochen Vienna (2023), Brut Wien Vienna (2022), Campo Gent (2022), Inkonst Malmö (2022).
Instagram: @stinaforce
Bella Báguena
Residency: September 9–15
Bella Báguena (b. 1994, Valencia) is a Spanish trans non-binary woman who works with different disciplines such as music, performance, jewelry and other media. Bella centers her artistic production in a gender self-examination and an intuitive, emotional process, using her voice, body movement and identity, as well as objects, spaces and technologies, to create sound, video, sculptural or performative pieces in which the emotional charge and thought load of the trans woman’s identity becomes the key. Some of her recent performance contexts include Trauma Bar, Berlin (2023); Teatro Academico Gil Vicente, Coimbra (2023); A10 Exhibition x Injuve, Valencia (2023); Rokolectiv, Bucharest (2023); Ex Aterriza. Las Cigarreras, Alicante (2023); Construction Festival, Dresden (2023); Systema, Marseille (2023); Palais de Tokyo, Paris (2022); Dakota By Night. Nieuw Dakota, Amsterdam (2022); Shape+ Platform. Meet Factory, Prague (2022).
Instagram: @xbellaxbaguenax
For the 60th Venice Biennale, the Luxembourg ministry of Culture has appointed Kultur | lx—Arts Council Luxembourg commissioner, and Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean, organiser of the Luxembourg Pavilion.
Commissionner appointed by the Ministry of Culture Luxembourg: Kultur | lx—Arts Council Luxembourg
Organiser: Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean
Curator: Joel Valabrega (assisted by Nathalie Lessure)
Exhibitors: Andrea Mancini & Every Island
Performing artists:
Selin Davasse | Residency: 08 – 21 April | Performances: 17 – 21 April
Célin Jiang | Residency: 24 – 30 June | Performances: 29 – 30 June
Stina Fors | Residency: 18 – 28 July | Performances: 27 – 28 July
Bella Báguena | Residency: 09 – 15 September | Performances: 13 – 14 September
The exhibition is accessible for the public during the Residency periods according to Arsenale’s opening hours.
Following 6 grants awarded in the field of visual arts to Vera Kox, Eric Schumacher, Yann Yannicchiarico, Anne-Mareike Hess and Elisabeth Schilling in the field of performing arts and Albena Petrovic in the field of music, the selection committees of Kultur | lx – Arts Council Luxembourg have awarded 5 grants in 2023 in the field of visual arts to:
• Baltzer Bisagno : Dove ? Perché ? Per chi ?
The current artistic development of Baltzer Bisagno marks the end of a cycle, and while it is still in progress, other paths are emerging or becoming clearer. It is therefore fundamental, and even constitutive, to inscribe this six-year period of significant research and production as an act of sedimentation of the questions raised up to that point from a complex critical perspective. It turns out that a book represents a pivotal moment in the creative process in terms of process and purpose. It is a work of art.
The collaboration with authors and curators will sketch out new paths, such as those called for by the work Arabesque.
• Ivana Cekovic
With the publication of a 120-page trilingual catalogue (English, French and Serbian), Ivana Cekovic aims to offer a panorama of the different periods of her work, including cycles of pictorial research, video work and interdisciplinary urban projects which, as well as marking her artistic career, have also left their mark on the history of Luxembourg.
With contributions from Dr Harry Lehmann, philosopher and researcher at the University of Luxembourg, Anastasia Chaguidouline, Artistic Director of Cercle Cité, Dr Nikola Suica, Professor at the Faculty of Fine Arts*, University of the Arts, Belgrade, former Chairman of the Board of the Belgrade Museum of Contemporary Art, Ante Glibota (1945-2020) art and architecture historian, Vice-President of the European Academy of Sciences, Arts and Letters.
• Catherine Lorent : RELEGATION SOUNDS
RELEGATION SOUNDS, Special sound edition and online documentation on the occasion of 10 years of RELEGATION by Catherine Lorent at the Luxembourg Pavilion, 55th Venice Biennale 2013.
First shown at the 55th Venice Biennale 2013 as a solo exhibition in the Luxembourg pavilion, RELEGATION celebrates its tenth anniversary in 2023 and Catherine Lorent aims to create a reenactment in the form of a sound publication and online documentation – in collaboration with performer Natasa Grujovic (accordion), Martin Eder (guitar) and Christian Neyes (sound engineer).
• Arny Schmit : Beyond Nature
On the occasion of his exhibition Beyond Nature at Galerie Reuter Bausch, Arny Schmit has published a book carrying the same title.
• Trixi Weis
Although the artist’s work has appeared in some forty catalogues and magazines since the start of her career in 1994, no monographic publication has ever been produced. Through this publication, she hopes to establish the thread of her work in a book.
Recent publication
My Opera World by Albena Petrovic, L’octanphare, 25€
Albena Petrovic, recipient of the portfolio grant in 2022, published her book in November 2023, opening the door to her artistic universe through the eyes and expertise of journalists, musicologists and researchers. This book can be explored with the eyes, ears and hands, for anyone wishing to discover, understand and explore the creative immensity of Albena Petrovic’s resolutely feminine and contemporary vocal work.
Following the call for applications for the research and creation residency at the Künstlerhaus Bethanien in Berlin, artist Laurianne Bixhain was selected as the laureate.
The jury, made up of Yann Annicchiarico (artist and laureate 2023), Sandra Schwender (Clervaux – Cité de l’image) and Anastasia Chaguidouline (Cercle Cité), analysed the applications received and provided their recommendations to the Künstlerhaus Bethanien. At the end of the selection process, Laurianne Bixhain’s application was ultimately approved by the management of Künstlerhaus Bethanien.
Statement of the jury
The jury chose the project by the artist Laurianne Bixhain, whose planned cooperation with a Berlin singer and convincing description of the project for a series of photos inspired by Monique Wittig aroused the curiosity of the jury. The jury was particulary impressed by the artist’s profound view of her environment and the particularities she discovers there. They see a great potential for further artistic development in Laurianne Bixhain’s projects.
The Künstlerhaus Bethanien was also keen to highlight the high quality of the entries submitted by the Luxembourg jury
Biography
Laurianne BIXHAIN was born in 1987 in Wiltz. She received a BA and an MFA from the School of Fine Arts, Bordeaux and completed a Meisterschulerstudium in photography at the Academy of Visual Arts, Leipzig. Recent exhibitions include Deep Deep Down at Mudam Luxembourg (2023) and What remains is an intermediary thing, repeated at Reuter Bausch Gallery, Luxembourg (2023). She was a resident at the Centre national de l’audiovisuel, Luxembourg (2022); ISELP, Brussels (2021); Centre Culturel Irlandais, Paris (2021); Biermans-Lapôtre Foundation, Paris (2018); Darling Foundry, Montreal (2017) and Islington Mill, Manchester (2016). She was included in the 2018 edition of the Rencontres de la photographie, Arles as well as the 2016 edition of the European Month of Photography, Berlin. In 2018, she was awarded the LEAP — Luxembourg Encouragement for Artists Prize.
Following a call for applications for the research and creation residency at Cité internationale des Arts, performance artist and writer Noé Duboutay was selected from a list of eleven applicants.
Jury members Vincent Gonzalvez (Cité internationale des arts), Lis Hausemer (MNAHA), Julien Hübsch (lauréat 2023), Nathalie Ronvaux (Kulturfabrik) and Francisco Sassetti (Philharmonie Luxembourg) assessed the applications received and awarded Noé Duboutay for his research project:“what a hero!”.
Statement of the jury
The jury was eager to highlight the extensive research conducted by the artist, noting its plural and persuasive nature. The Cité internationale des Arts can provide valuable guidance on the issues raised by the research project. The residency appears to coincide well with the artist’s current career stage. The avenues outlined in the dossier can also be further explored during the brief residency period.
Biography
Noé Duboutay is a performance artist and writer based in Berlin and Luxembourg.
They perform with their body and voice, making installations and props and writing scripts, poems, and prose exploring human identities’ entanglements with non-human entities and materialities.
Noé’s artistic practice moves within finding ways of experiencing a body and forms of embodiments that questions what makes a body and what reads a body. He navigates with the entanglements of social and political constructs of gender and sexuality and creates space for fragile uncertainty and softness.
Through fictive and virtual realms of writing and moving, Noé creates ways of finding queer connections, ally- and kinships as means to mutate with pleasure.
Born and raised in Luxembourg, they graduated in 2019 from HBKsaar with a Bachelor’s in Fine Arts, 2021 with a Master of Fine Arts from ZHdK, and they finished their performance studies in Live Art Forms at AdBK Nürnberg in 2023. Noé won the Akademiepreis AdBK Nürnberg in 2022 and received the Bourse Auguste van Werveke-Hanno the same year. In 2023, Noé published his first literary publication, “mud and the bros” with Lemon Press Zurich.
The project of the Luxembourg pavilion challenges the entrenched notion of individual artistic authorship by presenting a collection of works where artists relinquish ego in favour of a profound exploration of collective creativity through the medium of sound.
The title, A Comparative Dialogue Act, encapsulates the nature of this experimental project – an investigation of diverse sonic languages and a contemplation of dialogue beyond the visual, into the immersive world of sound as a tool for negotiation.
This exhibition explores the potential of sound as a medium for cultivating connection and understanding. It aims to transcend the limits set by singular perspectives of what sound can lend to the acts of interpreting, distorting and appropriating.
The pavilion is conceived as an infrastructure for the transmission of sound. Technology is used to develop a local experiment investigating the transmission of knowledge and work in progress.
A programme of four residencies taking place over the duration of the Biennale Arte 2024 will transform the pavilion into a production space where each individual research will contribute to a shared body of work. An unprecedented collaboration by four emerging artists from diverse backgrounds, it brings together Spanish musician and performer Bella Báguena, French transdisciplinary artist Célin Jiang, Turkish artist Selin Davasse and Swedish artist Stina Fors to offer four intersecting approaches to the multiple ways identity, performance and sound can meet.
The artists are invited to explore the elements that define their individual practices and artistic methods. Each of them is asked to create a sound library representing their unique approach by the start of the Biennale Arte 2024. These libraries will be made available in the Pavilion space as a common tool. Each artist will appropriate and use this library to create a soundscape. The aim being to stimulate cooperation and community through an understanding and interpreting of what was made available.
The body of work, both the libraries and the residencies’ productions, will constantly be absorbed and integrated anew – challenging notions of authorship and appropriation.
Each artist will engage in a series of performances. The performance is part of the collaborative artwork and is the moment during which each artist presents his/her contribution in public. The resulting sequence of pieces will be published as a vinyl record, to be released at the end of the Biennale Arte 2024.
A Comparative Dialogue Act offers a rich composition of singular voices brought together in a blurred sound artwork that pushes the boundaries of contemporary art production.
Kultur | lx – Arts Council Luxembourg commissioned visual artist Claudia Passeri to design its 2023 season greeting card. The artwork, originally a digital work, has subsequently been adapted to a physical card.
Claudia Passeri creates site-specific interventions and contextual pieces that explore human perception in relation to place. Depending on the site and the context, the work takes on social, political, and environmental aspects. Her research has a neo-romantic aspect that seeks, frequently via the use of irony, to reveal the mechanisms that activate the human creative processes, which transform how we view the world.
This video has been created in her kitchen in Umbria on November 3 2023.
Discover the work on the home page of our website and on our social networks. (Facebook, LinkedIn, Twitter, Instagram)
Kultur | lx – Arts Council Luxembourg in collaboration with the Fonderie Darling in Montreal offers a three-month research and creation residency for Luxembourg visual artists or visual artists living in Luxembourg artists at the Fonderie Darling in Montreal, based on a call for applications.
Jury members Justine Blau (artist and laureate 2023), Stéphane Meyers (Rotondes) and Stilbé Schroeder (Casino Luxembourg – Forum d’Art Contemporain) assessed the applications received and made their recommendation to the Fonderie Darling. At the end of the procedure, Julien Hübsch was selected by the board of the Fonderie Darling.
During his residency, which runs from September to November 2024, he will be researching the temporary urban interventions in specific parts of Montreal, that are appearing over the summer to revalue certain public spaces and then serve different purposes in winter. At the heart of this approach lies a particular interest in the historical imprints left by these interventions.
Statement of the jury
The selection committee selected artist Julien Hübsch for the quality of his artistic practice, rooted in a raw aesthetic and the inventive use of everyday materials. Through interventions in the city and in the exhibition space, always in connection with the architecture, the artist explores issues that are central to the Fonderie Darling’s curatorial vision, its urban location and its status as a former industrial wasteland. The members of the committee would also like to highlight the relevance and coherence of the research project proposed for the residency, entitled Sometimes in the fall.
About Julien Hübsch
Julien Hübsch (*1995 in Esch-Sur-Alzette, LU) is a multi-disciplinary artist, currently based between Mainz and Luxembourg. After studying at Bauhaus University Weimar, Kunsthochschule Mainz and HGB Leipzig, he graduated from Shannon Bools’s “expanded painting” class in Mainz in 2023. In his work he deals with temporary interventions in the urban/public space such as construction sites and vandalism, creating works that oscillate between painting, object, installation and environment. His aim is to extract and quote directly from his field of research, thus creating contemporary witnesses of an abstract urban space.
Julien Hübsch is being represented by Reuter Bausch Art Gallery since 2021 and has been part of exhibitions in Frankfurt, Berlin, Mainz, New York and Luxembourg among others. He is also the recipient of this year’s “Prix Grand-Duc Adolphe”.
The third edition of this Visual Arts focus has firmly established itself in the agenda of the Luxembourg Art Week. The five artists selected by Austrian curator Mirela Baciak welcomed fourteen professionals from four different countries who had come to discover the Luxembourg contemporary art scene. These meetings gave rise to fruitful exchanges that Kultur | lx is committed to developing over the long term.
Mudam Luxembourg – Musée d’art contemporain Grand-Duc Jean welcomed fourteen curators, art centre directors, critics and contemporary art experts from Austria, Germany, Belgium and France who had been invited by Kultur | lx. A two-and-a-half-day programme, alternating visits to artists’ studios, associations and institutions, talks and informal discussions, was offered to familiarise them with the players who are making contemporary art happen in Luxembourg.
The heart of a Focus – and undoubtedly its most eagerly awaited part by professionals and artists alike – lies in the visits to the artists’ studios or, for those based abroad, in the presentation of their portfolios. This year, Mike Bourscheid, Serge Ecker, Sophie Jung, Claudia Passeri and Nora Wagner have been selected by Mirela Baciak, Director of the Salzburger Kunstverein in Austria, to open the doors of their artistic worlds to these guests with their keen eyes. This meeting provides an opportunity to exchange views on the artist’s work and on more open questions about the current state of contemporary art in both its political and social dimensions. These frank and rich discussions are a source of reflection for everyone, but they also enable some artists to explore new professional horizons, since two of the artists featured within the Focus 2022 programme will have major solo exhibitions in 2024, thanks to invitations from professionals who took part in the event.
Mirela Baciak, who attended the 2022 Focus as a guest, immediately showed an interest in curating the 2023 edition. She made a wide-ranging selection from among the dozens of portfolios submitted, focusing on two main themes: queer cultures and the climate crisis, but the common thread was the shared values expressed by all the artists, however diverse and eclectic their practices.
The partnership with the Luxembourg Art Week enabled the group to visit the fair exclusively during the preview. Alongside the formats already implemented last year, this year’s fair also featured a number of new partnerships that helped to diversify the offering for professionals. In addition to the exhibitions at Mudam Luxembourg, the Konschthal Esch and the Casino Luxembourg – Forum d’Art Contemporain, attendees could also discover Vewa, a space developed by the Dkollektiv collective, and the Nei Liicht art centre in Dudelange, which presented a solo exhibition by Letizia Romanini, and finally the Bridderhaus artists’ residence in Esch-sur-Alzette, where the artist Claudia Passeri welcomed the professionals to a performative dinner under the title “Papillons de résistance”.
Finally, the 2023 Focus dealt with the theme of artistic research, the various forms it can take, its political development and its artistic materiality. Art historian and critic Sandra Delacourt gave a lecture at the Luxembourg Art Week on the theme of The Artist Researcher as a figure in the zeitgeist, but also as a political creation, through an analysis of the career of Donald Judd. Finally, the Focus ended with an afternoon of debate and exchange at Casino Display, which had co-organised with Kultur | lx pitch-presentations by researchers and artists on their research practices, followed by debates on current issues facing artists in this field.
This third edition has consolidated existing links with neighbouring scenes and opened up prospects for territories that will be highlighted in 2024, such as Belgium and Germany. The event is generating medium- and long-term impact, and the challenge that lies ahead is to make the most of this contribution.
The visual arts scene in Luxembourg is home to a wide variety of actors and continues to grow in vibrancy. Its diversity makes it unique, reflecting the various places where the artists have trained, the mediums they have chosen to express themselves, the regions where they are active, and even the ways in which they have decided to show their work.
Looking outwards at other art scenes abroad— where they live, where they have studied, or where they have developed networks—Luxembourgish artists know how to ‘export’ themselves easily, helped by their multilingualism and the various connections they can rely on.
On the occasion of the Luxembourg Art Week (10-12/11), Kultur | lx – Arts Council Luxembourg is organising three days for visual arts professionals to promote exchanges and to make the Luxembourg art scene, its artists and actors, whether institutional or private, better known. By facilitating encounters between professionals during studio visits, portfolio reviews, exhibition visits and exchanges between professionals, Kultur | lx aims to stimulate dialogue between different art scenes in a convivial atmosphere, and create cross-border working habits.
For this fourth Focus on Visual Arts, Kultur | lx offers foreign professionals studio visits curated by Mirela Baciak, curator and director of Salzburger Kunstverein.
Finally, in addition to this curated programme, Kultur | lx is organising a round table on Friday 10 November from 2 to 3 p.m. on the site of the Luxembourg Art Week, about L’artiste chercheur, un pléonasme ou une figure dans l’air du temps ? by Sandra Delacourt (moderation by France Clarinval) as well as a Pitch Presentation from 4 to 7 p.m. at Casino Display (mandatory registration, limited capacity).
Note: admission to Luxembourg Art Week is charged (€15 for adults, free for children and students).
Ticketing on site and online on the Visit & Tickets Page.